- 6 years 5 months ago
- Posts: 404
And here's my predictions for my idea:
1. It's gonna be a three-or-more-hour-plus, hugely expensive live action/computer animated feature that will blend CG talking, anthropomorphic yet scientifically authentic looking dinosaur characters living in a world fabricated from live action, miniature model and entirely digital backgrounds.
2. Industrial Light and Magic, Weta Workshop/Weta Digital, Framestore CFC, Tippett Studio, Tatopoulos Studios, Meteor Studios or any other visual effects company I will seek will provide the characters, creatures, miniatures, visual effects and animation in the dinosaur movie of mine.
3. IMO, Who would provide the original music score? Why, Hans Zimmer (the Lion King, Pirates of the Carribean), James Newton Howard (Dinosaur, King Kong (2005)), and Mark Mancina (Speed, Disney's Tarzan, Brother Bear), of course, IMO.
4. It will be be shot in an aspect ratio of 2.35:1 unlike the Jurassic Park movies and on High Defintion Digital Video as in Star Wars Episodes II and III.
5. Hopefully, People like Dexter's Laboratory/Powerpuff Girls/Samurai Jack/Star Wars: Clone Wars/Foster's Home For Imaginary Friends creators Genndy Tartakovsky and Craig McCracken will be eager to work on my dinosaur movie. (In the meanwhile though, Tartakovsky was making Power of the Dark Crystal, and McCracken is halfway through Foster's Home For Imaginary Friends for Cartoon Network).
6. Like the VFX and Animation, the dinosaur vocalizations/sounds will be as believable as the dinosaur vocalizations/sounds of the Jurassic Park movies, IMO.
7. The movie will be based on all of my knowledge for my dinosaur story.
8. I will direct it if I have a good imagination, and creative genius and talent (especially that from an artist even if he do drawings).
9. IMO, the music of Dinosaurs: An Epic Prehistoric Tale may sound like and/or be similar to the music of The Lion King (1994) and those of Disney's Dinosaur (2000), Disney's Tarzan (1999), Disney's Mighty Joe Young (199
, Waterworld (1995), The Power of One (1992) (with its african-style music), The Jurassic Park Movies (1993-2001), the music for Roland Emmerich's 10,000 BC (200 and Jerry Goldsmith's music for Congo (1995).
10. Some of The talking dinosaurs (mainly some theropod dinosaurs) in the dinosaur movie would be anthropomorphic yet ranging from loose caricature to bang on scientifically authentic and accurate in their designs?
11. Any of you out there better camp out and buy tickets for the midnight world premiere of Dinosaurs: An Epic Prehistoric Tale if I completed it and release it and hang out for a midnight party at Outback Steakhouse after all that.
12. Dinosaurs: An Epic Prehistoric Tale would be the biggest, greatest, coolest, most awesomo, most spectacular, most ambitious, most groundbreaking, most elaborate, most totally epic, most amazing, most impressive and most ultimate dinosaur movie since Steven Spielberg's Jurassic Park (1993), IMO. Are you sure it totally rock and are you sure that it would be such a a huge international cultural phenomenom?
Well, That's my predictions, so what's yours?Are you sure you want to delete this post? Yes | No 
- 6 years 5 months ago
- Posts: 1038
timbox129 wrote:And here's my predictions for my idea:
1. It's gonna be a three-or-more-hour-plus, hugely expensive live action/computer animated feature that will blend CG talking, anthropomorphic yet scientifically authentic looking dinosaur characters living in a world fabricated from live action, miniature model and entirely digital backgrounds.
2. Industrial Light and Magic, Weta Workshop/Weta Digital, Framestore CFC, Tippett Studio, Tatopoulos Studios, Meteor Studios or any other visual effects company I will seek will provide the characters, creatures, miniatures, visual effects and animation in the dinosaur movie of mine.
3. IMO, Who would provide the original music score? Why, Hans Zimmer (the Lion King, Pirates of the Carribean), James Newton Howard (Dinosaur, King Kong (2005)), and Mark Mancina (Speed, Disney's Tarzan, Brother Bear), of course, IMO.
4. It will be be shot in an aspect ratio of 2.35:1 unlike the Jurassic Park movies and on High Defintion Digital Video as in Star Wars Episodes II and III.
5. Hopefully, People like Dexter's Laboratory/Powerpuff Girls/Samurai Jack/Star Wars: Clone Wars/Foster's Home For Imaginary Friends creators Genndy Tartakovsky and Craig McCracken will be eager to work on my dinosaur movie. (In the meanwhile though, Tartakovsky was making Power of the Dark Crystal, and McCracken is halfway through Foster's Home For Imaginary Friends for Cartoon Network).
6. Like the VFX and Animation, the dinosaur vocalizations/sounds will be as believable as the dinosaur vocalizations/sounds of the Jurassic Park movies, IMO.
7. The movie will be based on all of my knowledge for my dinosaur story.
8. I will direct it if I have a good imagination, and creative genius and talent (especially that from an artist even if he do drawings).
9. IMO, the music of Dinosaurs: An Epic Prehistoric Tale may sound like and/or be similar to the music of The Lion King (1994) and those of Disney's Dinosaur (2000), Disney's Tarzan (1999), Disney's Mighty Joe Young (199, Waterworld (1995), The Power of One (1992) (with its african-style music), The Jurassic Park Movies (1993-2001), the music for Roland Emmerich's 10,000 BC (200 and Jerry Goldsmith's music for Congo (1995).
10. Some of The talking dinosaurs (mainly some theropod dinosaurs) in the dinosaur movie would be anthropomorphic yet ranging from loose caricature to bang on scientifically authentic and accurate in their designs?
11. Any of you out there better camp out and buy tickets for the midnight world premiere of Dinosaurs: An Epic Prehistoric Tale if I completed it and release it and hang out for a midnight party at Outback Steakhouse after all that.
12. Dinosaurs: An Epic Prehistoric Tale would be the biggest, greatest, coolest, most awesomo, most spectacular, most ambitious, most groundbreaking, most elaborate, most totally epic, most amazing, most impressive and most ultimate dinosaur movie since Steven Spielberg's Jurassic Park (1993), IMO. Are you sure it totally rock and are you sure that it would be such a a huge international cultural phenomenom?
Well, That's my predictions, so what's yours?
whoa! whoa! some pretty big demands, slow down there. You have to get the big wigs of the studio biting first before you start working out these details. That is of course if you are just talking from a "if I were to make movie this is how it would go". point of view.
then carry on
but if you really want to get the ball rolling you need to give the movie producers something they want to invest in, something they have never seen before.
what has your story got that the others don'tCan u picture that - ThAre you sure you want to delete this post? Yes | No - 6 years 5 months ago
- Posts: 404
Also, Here's the background story for the Lost World itself, the once-uncharted Atlantis-sized continent of Reptaria:
A Brief History of Reptaria
Beyond the horizon, in the far corners of the earth, lies an Atlantis-sized island continent called Reptaria (rep-tar-i-a). Reptaria had a very rich cultural and extravagant populace on a par with an ancient Peruvian culture.
The island continent is a very successful and beautiful trading port. It had a promenade that ran from the main gate and down to the seas of the earth. There, the people of Reptaria, descended from the surviving ancient Atlanteans (around the time Atlantis sank,) and their allies, the human-sized, anthropomorphic insect/ant-like beings called the Anteanites (ant-ean-ite) traded with the rest of the world.
They had built in a very rich, Indonesian/Asian-Influenced style. They mined basalt logs, which are big, hexagonal crystalline rock stems—from the coastline of Reptaria, and utilized them to tie into the piled rocks in the architecture.
Almost like you can build a twig house for a smaller creature, the Reptarians were able to strap and tie them altogether. That gives the Reptarians the ability to make an upswept, ornamental architectural style to their walls, unlike other cultures in the rest of the world.
So it grew, their architectural style, to a size of massive proportions, because the continent of Reptaria had this natural resource. And so it grew to as a so very much sophisticated biblical-style environment.
The island continent of Reptaria existed in extreme harmony with its people and surroundings and the rest of the world.
The culture of the people and the Anteanites of Reptaria have grown up with the knowledge that it possesses ape men (which may resemble those white or gray gorillas in Michael Crichton’s Congo), dinosaurs of different kinds and of all shapes and sizes, and an amazing rich, lush, fertile, and diverse fauna and flora.
But to keep out their enemies, the Ape Men, and the deadly, savage, intelligent raptors, the Vargs, the humans and the Anteanites held them at bay, a massive wall that they built around the cities and so controlled their environments.
The creatures, the Ape men, and the Vargs lived in harmony outside the wall, and the humans, the Anteanites and dinosaurs that are domesticated, lived in harmony inside the wall, and everything was in equilibrium.
Over time, the culture, the harmony that they had, the sophistication of their seafaring, began to improve ever since the first humans and Anteanites arrived on the island continent, so did their weapons. Beyond the wall, it’s rich and lush and full of beautiful food sources, so they, whatever they want to, went beyond the wall to get these food sources, and they’re fresh. Over the wall, it’s a wondrous place, though the predators of Reptaria, the Vargs and the Ape Men hold them at bay, sometimes.
They have ceremonies about them, including, Ara’karos, or, The Festival of Gifts, which is a Reptarian variation on our Christmas holiday.
However, it was once an uncharted island continent somewhere off the coast of Mainland Asia, in the Far East, and whispered about by merchants and sailors. It was a place so unbelievable at the time that no one has ever before believed in its existence.
Except one human, the American high school teenager from the Mid Atlantic, Jack Skyler. Many of us will, of course, remembers his adventures in Reptaria and how he battles 3 large predatory dinosaurs in the streets of Baltimore, Maryland.
Well, to learn more about the secrets of Reptaria, Jack Skyler launched a joint expedition of several universities, organizations, high schools, collages, etc., called Project Discovery.
One passage of its mission goal is to create several field guides to the interior of Reptaria, which everyone believes to be a continent filled with creatures long extinct on Earth, where dinosaurs roamed and still lived.
There are a total of 54 expeditions to the interior of the island continent so far.
This is what the background story on Reptaria and the plot where Jack Skyler, in his high school years, put his first footing on the uncharted, but sophisticated, often friendly, island continent of Reptaria, the Lost World, according to some, is gonna be like.
Well, On the face of it, you guys, The Lost World is gonna be much going for it: It'll be shot on 24P High Definition Digital Video Cameras in an aspect ratio of 2.40:1, and for a total budgetary production cost of over $325 million. It will bring back a character from Dinosaurs: An Epic Prehistoric Tale, named Tearak the Troodon, which will serve as Jack Skyler's companion and friend in The Lost World, so it'll be a sequel to Dinosaurs.
The VFX and Animation will be as amazing and spectactular and impressive as but more amazing, more spectacular, and more impressive than Dinosaurs: An Epic Prehistoric Tale's. The cast will range from newcomers or unknowns to familiar faces. The music will be an original score by Hans Zimmer, James Newton Howard, and/or Mark Mancina, and, like Samurai Jack, will blend the traditional orchestra, with world-beat-flavored music.
The film's theatrical running time may be either 2 hours and 25 minutes (145 minutes) or maybe 3 hours and 40 minutes (220 Minutes), but I don't know, but if the finished film is 2 hours and 25 minutes, then, I'll release a 3 hours and 40 minute unrated extended cut for DVD and/or Blu Ray home video Release. The Lost World will be shot digitally, edited digitally, its visual and sound effects produced digitally and projected entirely digitally. And overall, it'll be as good and great as Dinosaurs: An Epic Prehistoric Tale (if so) and Jurassic Park.
You know, there are some good dinosaur movies like The Lost World (1925), King Kong (1933), The Land Before Time (198, and even Jurassic Park, and the BBC's Walking with Dinosaurs (1999) as well. Both Dinosaurs: An Epic Prehistoric Tale and my take on The Lost World would expand the inclusion of dinosaurs in movies into the 21st century.
Well, after Dinosaurs: An Epic Prehistoric Tale, get ready for my take on The Lost World, you guys!!!
Read about it here:
http://timbox129.blogspot.com/2008/06/my-next-movie-idea-after-dinosaurs-epic.html
How's that sound? Will it be great or will it be more than great or what?Are you sure you want to delete this post? Yes | No
